RECORDED IN 1990 AND THEN LEFT IN A BOX FOR 13 YEARS, UNTOUCHED, UNLOVED, FORGOTTEN. AND THEN RECOVERED, REVIVED, AND RELOVED. PERFORMED LIVE. AND THEN INCLUDED IN THE WHITNEY BIENNIAL. AND ALL INCLUDED HERE.
THE LIVE VERSION AND THE STUDIO VERSION ARE MOSTLY SIMILAR, WITH SOME INSTRUMENTATION ADDED TO THE LIVE VERSION THAT IS MOSTLY UNOBSTRUSTIVE AND ALLOWS THE ORIGINAL BEATIFIC DRONES TO COME THROUGH. THIS IS DRONE MUSIC FOR A NEAR EARTH COLONY, A NEW START, A LABORATORY ON VENUS. IT SHIMMERS AND RADIATES A CALM ENERGY.
THE STEAMROOM RELEASE ADDS A TRACK RECORDED AT THE SAME TIME AND INCLUDED ON A COMPILATION ALONGSIDE PIECES BY RALF WEHOWSKY AND TONY CONRAD, WHICH DOUBTLESS MADE JIM PLEASED. IT IS OF A SIMILAR PIECE AS MIZO NO NAI UMI, THOUGH MORE UNSETTLED.
A SOLID RELEASE FOR DRONE FANS.
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